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The History of the Theatre Poster

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After theatre started again at the Restoration in 1662, the practice of hoisting a flag at theatres to announce plays resumed, as did the distribution and posting of hand-written playbills, especially in the countryside. Small, printed playbills, giving brief details of the play, its title, date and starting time, were produced on hand-made rag paper, by the printing process called letterpress.

Larger posters were influenced by those of a French theatre company who visited London in 1672, printed not only in black, but more expensive red ink. By the end of the century, London theatres produced similar posters or 'Great Bills', as well as the smaller ones, despite their extra cost. Gradually more information about the performances appeared on both sizes of poster, and the smaller ones were distributed in the streets and delivered to the homes of regular playgoers. Actors’ names began to appear, and some complained if their names didn't feature in large enough letters.

IMAGE: Barnes and Finley's Booth at Smithfield Fair LINK: Drury Lane Playbill, 1718 LINK: Cymbeline Playbill, 1779 LINK: Pidcock's Menagerie LINK: Circus Playbill, 1798

Barnes and Finley's Booth at Smithfield Fair

Barnes and Finley's Booth at Smithfield Fair
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'Rope dancing' and tumbling were major attractions at the beginning of the 18th century. Small 'play booths' which were little performance spaces were set up in the fairs. The pictures on this playbill appealed to those visitors who couldn't read, and for those who could, the poster promised 'the most famous rope dancers in Europe'. Mr Barnes himself was the main attraction, who danced 'with a child standing upright on his shoulders, with two children at his feet with boots and spurs'. Also promised is a performance by Lady Mary Finley who 'would dance capers above six feet high'.

Lady Mary was alleged to be the daughter of Florentine aristocrats who had sent her to live in a nunnery. She escaped and ran away with Mr Finley whom she married and became a ropewalker. The end of her story is less romantic. Her husband bullied her into performing when heavily pregnant and she fell, killing both herself and the child.

Created: 1701

This object features in the Circus Guided Tour

 

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Restoration

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Refers to the Restoration of the monarchy in 1660. After Charles I was executed in 1641, England was ruled as a Commonwealth, with a Parliament under the Protector Oliver Cromwell. After Cromwell's death, his remaining ministers could not retain power, and the Royalists brought Charles's son back to the throne as King Charles II.

letterpress

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The process of relief printing on paper from a raised, inked surface. Typeface letters made of metal or wood are clamped in a frame or 'forme' and are inked. A sheet of paper is laid on top of the letters and pressure is applied to transfer the ink to the paper and make a sheet of text. The first printing press is thought to have been invented by Johannes Gutenberg in 15th century Germany.