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The History of Music Sheet Covers

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Introduction

The ability to mass produce music covers owes a lot to the invention of lithography. Lithographs were produced using wax or crayons to draw the designs on a specially prepared flat stone which was then inked. The earliest music sheets to be illustrated by lithography were produced in this country in about 1820 and were coloured by hand. After colour lithography took off in the late 1830s, coloured illustrations could be produced cheaply in large numbers.

Several artists specialised in music cover illustration and the individual style of the artists can often be recognised from the design and date.

Maxim Gauci

'The Brigand's Ritornella'
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'The Brigand's Ritornella'

Nicknamed 'the father of all music hall artists', he produced many of the early engraved and hand-coloured sheets. He died in 1854.

 

John Brandard

La Traviata Music cover
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La Traviata Music cover

John Brandard illustrated waltzes and polkas and other dances for the conductor Louis Jullien from 1844. Brandard’s illustration were beautifully done, with delicate colouring and were always printed on good paper.

 
 
    

Alfred Concanen

'Mr Gorilla, The Lion of the Season'
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'Mr Gorilla, The Lion of the Season'

Famous for his witty representations of London life, Concanen is considered the most prolific of the music sheet artists. He was also was a book illustrator and regularly did line drawings for the Illustrated Sporting and Dramatic News in the 1870s.

 

H.G. Banks

'The Palace Lancers'
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'The Palace Lancers'

Worked with Concanen and was probably influenced by his style. He often used roundels and vignettes on his covers to illustrate several verses of a song. From 1877 he produced covers for publishers Francis Day and Hunter and was working at a time when the quality of sheets was in decline.

Read on to view the history of the Illustrated Music Sheet

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Lithographs

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Lithography is a form of printing invented in Germany and developed in England in the early 19th century. It was the first commercially viable method of mass colour printing. The design was drawn in wax or crayon on to a porous lithographic stone; the stone was washed and inked with a roller; the waxed drawing retained the ink and a print was taken from the stone. Early lithographs were hand coloured. Colour printing meant using a different stone for each separate colour.