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Feodor ChaliapinFeodor Chaliapin
Enrico Caruso
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Caruso in Les Huguenots
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Caruso in Les Huguenots

‘The Great Caruso' or ‘King of Tenors' was born in Naples in 1873. He was his parents' 18th child and the first to survive infancy. Music was his escape from the wretched reality that surrounded him. He sang in Neapolitan cafes and restaurants. By 1895 he was singing leading roles at the Opera House in Naples. From there he went to the major Italian opera houses and then became an international star. ‘Who has sent you to me? God?' exclaimed Puccini on first hearing him sing.

Caruso cartoon
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Caruso cartoon

Caruso's mouth cavity was huge and round and he could close his mouth over a large egg without breaking it - this may account for his amazingly rich, full tone. To his vocal control and refinement he added passion. Caruso poured emotion into his singing. He sang not only opera but popular Neapolitan songs and ballads.

He was an incorrigible practical joker, even on stage. When singing the aria ‘Your tiny hand is frozen' to Melba, he slipped a hot sausage into her hand.

Rigoletto at Covent Garden
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Rigoletto at Covent Garden

Through his recordings, Caruso was the first opera singer to win a mass audience. People who had never seen an opera owned his records… His recording of Canio's aria from Pagliacci was the first million-seller. The gramophone ensured his immortality. For the first time, posterity could enjoy and judge a singer from another era. Equally the success of his records helped establish recording as a commercial proposition and pave the way for mass home entertainment.

Caruso made over a million dollars in his lifetime but died tragically early, aged only 48, of pleurisy. Asked was made a great singer he said: ‘a big chest, a big mouth, ninety per cent memory, ten per cent intelligence, lots of hard work and something in the heart'.


     

Puccini, Giacomo

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Puccini (1858 - 1924) was an Italian composer, best known for his lush romantic operas. His melodic gift was for erotic passion, sensuality, tenderness, pathos and despair, and arias like 'Nessun Dorma' and 'Un bel di, vedremo' exploit it to the full. Major operas include La Boheme (1896), Tosca (1900), Madama Butterfly (1904), and Turandot, left incomplete.

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Melba and Caruso rigoletto review