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A Trip to the Opera
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'A Bravura Air'
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'A Bravura Air'

Going to the opera was a social occasion in the 18th and 19th centuries. The rise in the popularity of theatre and opera reflected the growing leisure time and wealth of the upper middle classes.

Theatres were noisy, chaotic places and the aim was to see and be seen. The stage and the auditorium were lit from great chandeliers that hung from the ceiling and the audience was as visible as the performers. Audiences would chat, walk around and play games. It wasn't unknown for ladies to have a card table in the box for a game of cards during the performance.

'The Bulstrode Siren'
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'The Bulstrode Siren'

The aisles in the pit were known as ‘Fops Alley' and young men would cruise up and down flirting with the ladies. In addition there was standing room on stage for audience members which provided another distraction from the focus of the performance.

Audiences stopped talking to listen to the aria which was the great show piece that everyone recognised. Then they would resume their conversation, card game or perusal of other members of the audience.

John Bull at the Italian Opera
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John Bull at the Italian Opera

     

pit

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The pit can mean the seats in the front part of the auditorium, on the floor of the theatre (rather than the galleries or circle) as well as the people who sit there. The Victorians began to use the word 'stalls' instead, objecting to being in a pit! It is also shorthand for the orchestra pit, in other words the area just in front of and sometimes underneath, the stage where the orchestra sits.

aria

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An elaborate song for solo voice. As part of an opera, it usually acts like a monologue (solo speech) in a play, giving us an insight into that character's thoughts and feelings.