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The Origins of Music Halls
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'The Ratcatcher's Daughter'
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'The Ratcatcher's Daughter'

The Origins of Music Hall

My lords, ladies and gentlemen! The story of the music halls! Music halls can be traced back to the taverns and coffee houses of 18th century London where men met to eat, drink and do business. Performers sang songs whilst the audience ate, drank and joined in the singing. By the 1830s taverns had rooms devoted to musical clubs. They presented Saturday evening Singsongs and Free and Easies. These became so popular that entertainment was put on two or three times a week.

Song and Supper Rooms

For more middle-class clientele Song and Supper Rooms opened in the 1830s. They served hot food and provided entertainment until the early hours of the morning. Rooms like The Coal Hole, off the Strand in London soon developed a scurrilous reputation. At Evans’ Song and Supper Rooms in Covent Garden singers were paid £1 a week and free drink. The star of Evans was Sam Cowell who was most famous for his song, The Rat Catcher’s Daughter.

Sam Cowell
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Sam Cowell

Green Gate Tavern
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Green Gate Tavern

The taverns, saloons and supper rooms would have been noisy and difficult places in which to perform. The audiences chatted throughout the acts and could be very unruly often throwing things at the performers – bottles, old boots, even a dead cat. Industrial towns favoured hurling iron rivets. In some halls, bottles carried by the waiters were chained to the trays and the orchestra was protected from the missiles by steel grilles stretched over the pit.

While women were not allowed in the middle-class, song and supper rooms, working-class women went to the taverns. In the early days they would often accompany their husbands and bring along their children and even babies. Charles Dickens declared in disgust that the pit had became ‘a virtual nursery’.

The Borough Music Hall
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The Borough Music Hall

The Eagle Tavern in 1830
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The Eagle Tavern in 1830

The Eagle

The Eagle, in City Road, London was an East-end tavern that presented regular musical entertainment. The nursery rhyme Pop goes the Weasel features the Eagle. It is about a father spending his weekly wage in the music halls and then having to ‘pop’ or pawn his ‘weasel’ to raise additional money. The ‘weasel’ is thought to refer to a piece of equipment in the tailoring industry. Tailoring was one of the main occupations in London’s East-end.