In the late 16th century all classes of society (apart from royalty) visited the public theatres. The new theatres were popular and their audiences had a voracious appetite
for new plays. New companies flourished and writers were employed to satisfy the demand for novelty.
The Acting Companies
Companies were hierarchical - actors who had a stake in the company were called ‘sharers’ and divided up the profit between them; ‘hirelings’ were
just paid a weekly wage, whilst the boys who played women’s roles were ‘apprentices’ and paid very little. Actors specialised in specific roles which
they performed as part of their repertoire.
The two most famous companies were the Admiral’s Men and the Lord Chamberlain’s Men who were rivals. Companies became known by the title of the patron’s
household, for example ‘Leicester’s Men’ were named after the Earl of Leicester. Leicester’s Men consisted of actor James Burbage and four others.
William Shakespeare was principal
writer with the Lord Chamberlain’s Men. Famous Elizabethan actors
included Will Kempe,
Edward Alleyn and Richard Burbage.
Plays and Playwrights
Companies would perform between 30 to 40 new plays every year. Documentation from the period shows that the Admiral’s Men performed every afternoon for six days
of 40 weeks of the year.
Playwrights were expected to produce a number of new plays every year
to satisfy demand. Many of these were never published. Plays, when written,
became the property of the company and not the playwright. William
Shakespeare, Ben Jonson,
Christopher Marlowe and John Fletcher
were just a few of the many playwrights of that era
whose work is still performed today.