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IntroductionIntroduction
Post War West EndPost War West End
Joan Littlewood and the Theatre WorkshopJoan Littlewood and the Theatre Workshop
The Explosion of New WritingThe Explosion of New Writing 
20th Century Shakespeare20th Century Shakespeare 
The National Theatre
Alternative TheatreAlternative Theatre
Physical and Visual TheatrePhysical and Visual Theatre
‘In Yer Face’ Theatre‘In Yer Face’ Theatre
Threepenny Opera: Tim Curry as Macheath
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Threepenny Opera: Tim Curry as Macheath

The National Theatre opened on the South Bank in London in 1976. The need to create a theatre to promote and support the best of British talent and expertise was not just a 20th century preoccupation. A national theatre had first been suggested in the 18th century by David Garrick whilst Henry Irving championed the idea in the 19th century. However it wasn’t until the early 20th century that fundraising for the project was initiated.

Albert Finney as Hamlet
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Albert Finney as Hamlet

Waiting for Godot
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Waiting for Godot

In 1908 Harley Granville Barker and William Archer published, ‘The National Theatre: a Scheme and Estimates’ detailing extensive plans for the management, organisation and budget for a national theatre. Two World Wars delayed plans to open the theatre and it was not until 1962 that Laurence Olivier was appointed director of the first National Theatre company which was based in the Old Vic Theatre.

Equus
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Equus

Equus Horse Head
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Equus Horse Head

In 1976 the company moved to its new home on London’s South Bank under the direction of Peter Hall. The new building had three theatre spaces: the Lyttelton, the Olivier and the smaller Cottesloe. The new flagship company was soon hit by the cutbacks and funding crises of the late 1970s and 1980s. Despite its relatively large budget the venue was forced to close one of its three theatres for a season.

No Man's Land rehearsal
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No Man's Land rehearsal

No Man's Land with Gielgud and Richardson
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No Man's Land with Gielgud and Richardson

Under the more recent management of Trevor Nunn the theatre has aimed to be more popular – both to recoup revenue and also to draw in a more mixed audience. His decisions to programme popular musicals such as My Fair Lady and South Pacific have met with fierce criticism from people who believe that a National Theatre, with such a high proportion of public subsidy, should not replicate West End commercial shows, but be a house that supports both innovative new work and revivals of the classics. Nicolas Hytner is now the artistic director of the National Theatre.

Oklahoma!, National Theatre
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Oklahoma!, National Theatre

South Pacific
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South Pacific