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Henry Irving Portrait
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Henry Irving Portrait

Henry Irving was one of the great actor-managers of Victorian theatre. His work helped increase the status of theatre amongst the middle classes and he raised the theatrical profession to new heights of acceptance. Lyceum first nights became a must in the social, literary and artistic calendar of London. In 1895 Irving was awarded the first theatrical knighthood and by the time he died in 1905, you could refer to acting as ‘a profession’. He was accorded an almost state funeral and burial in Westminster Abbey.

Henry Irving in The Bells
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Henry Irving in The Bells

Irving became an overnight star as Mathias in The Bells at the Lyceum Theatre in 1871. In 1878 he took over the management of the Lyceum and for the next 25 years dominated the London stage with his leading lady Ellen Terry in a repertory of Shakespeare and romantic melodrama.

Henry Irving as Mephistopheles
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Henry Irving as Mephistopheles

Henry Irving as Macbeth
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Henry Irving as Macbeth


Irving’s theatre was characterised by overblown emotion, high drama, spectacular settings and flamboyant acting. The Lyceum became famous for its scenic effects and Irving was meticulous about every aspect of the production, combining the various elements into a single vision: the design, the use of gaslight and limelight, the music and the acting. Irving was also quick to grasp the possibilities of new technology and use it to heighten dramatic effect. In the 1885 production of Faust in which Irving played Mephistopheles electricity was used to create real sparks during a sword fight.


Ellen Terry as Lady Macbeth
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Ellen Terry as Lady Macbeth


Irving had a fanatical dedication to the theatre, regarding it almost as a religion - he called the Lyceum his ‘Temple of Art’. At this time links were being forged between the worlds of art and theatre. Among others Irving commissioned the artist Edward Burne-Jones to design King Arthur.

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Ellen Terry and Henry Irving were complete opposites on stage. She was all quicksilver, speed and instinct, whilst Irving was intellectual, slow and more pedantic with oddities of pronunciation and movement. But he was a mesmeric, almost hypnotic, actor. He would never perform fast enough for Terry who would whisper on stage ‘Oh come on get a move on’.

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Ellen Terry as Juliet
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Ellen Terry as Juliet

Ellen Terry
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Ellen Terry


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To achieve the effect of sparks flying from swords in a sword fight two iron plates were wired up to a powerful battery and a 90 watt current passed through the right shoe of each actor via a flex to a metal grip in their glove and up through the back of the sword.
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Henry Irving Faust cutting

Burne-Jones, Edward

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Edward Burne-Jones (1833-1898) was one of the leading painters and designers of late 19th century England. He often painted highly romantic subjects, and drew on medieval imagery. He also promoted the idea of the 'artist-craftsman', and produced many fine works in stained glass, metal and tiles.