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BalletBlack DanceContemporary DanceDance in Popular TheatreSouth Asian Dance in the UK
 
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Dance post 1960
Highland Fling
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Highland Fling

Over the last 40 years the dance scene has changed out of all recognition. In 1930s Britain there were two small ballet companies and a six week season each year from the Russian ballet. There are now dozens of dance performances throughout Britain every week; from individual performers working at the cutting edge of dance to large-scale traditional ballet companies; from dancers in West End musicals to street dancing. Dance is now part of mainstream education studied from GCSE to university degree course level.

Ballet Rambert in The Tempest
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Ballet Rambert in The Tempest

Matthew Bourne, director of Adventures in Motion Pictures, has given Swan Lake a new twist by re-choreographing it with male swans. Lea Anderson’s companies, The Cholmondeleys and The Featherstonehaughs explore new subjects and new ways of moving. DV8 Physical Theatre breaks down the barriers between dance, theatre and personal politics. Shobana Jeyasingh fuses British South Asian dance with contemporary forms. Phoenix Dance Company spotlights British Afro-Caribbean dancers.

Matthew Bourne’s Swan Lake
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Matthew Bourne’s Swan Lake

Visiting companies proliferate. Michael Clark, Russell Maliphant, Akram Khan, Wayne McGregor and Richochet Dance Company, Nigel Charnock, Javier de Frutos; South Asian dance, Black Dance, Jiving Lindy Hoppers, ethnic dance, tap, and jazz dance feature in many musicals … the list goes on and there are far too many performers to mention here.

Mark Morris in Dido and Aeneas
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Mark Morris in Dido and Aeneas

Most companies now have their own website which details their history, and productions. Try typing the name of the company you are interested in into a search engine such as Google. Begin with some of the companies above. Then try to get to see them in the theatre …

Happy hunting.

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