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The two main origins of black dance are African dance and the slave dances from the plantations of the West Indies.
Tribes or ethnic groups from every African country have their own individual dances. Dance has a ceremonial and social function, celebrating and marking
rites of passage, sex, the seasons, recreation and weddings. The dancer can be a teacher, commentator, spiritual medium, healer or story-teller.
In the Caribbean each island has its own traditions that come from
its African roots and the island’s particular colonial past
– British, French, Spanish or Dutch. 18th century black dances
such as the Calenda, and Chica were slave dances
which drew on African traditions and rhythms.
The Calenda was one of the most popular slave dances
in the Carribean. It was banned by many plantation owners who
feared it would encourage social unrest and uprisings. In the
Calenda men and women face each other in two lines moving
towards each other then away, then towards each other again to
make contact - slapping thighs and even kissing. The dance gets
faster and faster and the movement more and more sexual. It is
thought that the Calenda and the Chica come
from the courtship dances of the Congo.
Popular social dances of the 20th century such as the Charleston
and Cakewalk are descended from these slave dances.
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