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Arthur Mitchell
In the 1950s and 60s Arthur Mitchell challenged the myth that
black dancers were unsuited to ballet. He grew up in the Harlem
district of New York and when he was 18 won a scholarship to the
School of American Ballet. On graduation in 1956, he joined New
York City Ballet and danced with them for 15 years.
George Balanchine, the choreographer and founder of the company, created many roles
for him, including the ballets Agon and A Midsummer
Night’s Dream.
Mitchell had a great belief in the power of education to help
children develop their potential. He wanted children within the
black community to have more opportunities. In 1968, shortly after
Martin Luther King's assassination, Mitchell founded a school called the Dance Theatre
of Harlem. The school was a huge success and in 1971 the company,
also known as Dance Theatre of Harlem, gave its first performances.
It has since performed to great acclaim all over the world. The
repertory includes works by major 20th century choreographers,
including Fokine, Nijinska, Balanchine and Jerome Robbins. Mitchell
also commissioned works, some of which explored the origins of
black dance.
Alvin Ailey Dance Company
Born in Texas in 1931 in a poor rural area, Ailey was inspired
to dance after seeing Ballet
Russes de Monte Carlo as a schoolboy. He trained at Lester
Horton Studio in New York and later with Martha Graham, Doris
Humphrey and Katherine Durham. He supported himself during his
studies by dancing in Broadway musicals and teaching. During this
time he was lead dancer in Jamaica, a musical choreographed
by Jack Cole.
In 1958 Ailey founded the Alvin Ailey American Dance Theatre.
The company’s twin aims were to express black cultural heritage,
and enrich American dance. His choreography showed a highly individual
mix of elements taken from primitive dance, modern dance and jazz
dance. His most famous and popular work is probably Revelations.
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